James Jamerson Standing In The Shadows Of Motown Pdf -

" by Allan Slutsky (writing as Dr. Licks) is widely considered the "bass player’s bible". It serves as a comprehensive biographical tribute and instructional method for James Jamerson, the uncredited architect of the Motown sound.

: Includes interviews and commentary from over 25 world-class bassists discussing Jamerson's impact on their own careers. james jamerson standing in the shadows of motown pdf

Another reason for Jamerson's obscurity was the nature of his work. As a session musician, he played on numerous recordings, often without receiving credit. It wasn't until the 1980s, when the Funk Brothers began to receive recognition for their contributions, that Jamerson's role in shaping Motown's sound became more widely acknowledged. " by Allan Slutsky (writing as Dr

: The paper James Jamerson's Double Bass and Bass Guitar Parts provides a scholarly look at his performing features, specifically his innovative "hook" technique (plucking with only the index finger). Summary of Jamerson’s Influence : Includes interviews and commentary from over 25

: A peer-reviewed article in the Journal of the Society for American Music (available via Cambridge University Press ) that discusses Jamerson’s improvisation and the "assembly line" creative process at Motown.

: Note-for-note transcriptions of iconic Motown basslines, ranging from beginner patterns to complex masterpieces like "Bernadette" and "What’s Going On".

Born on April 29, 1936, in Little Rock, Arkansas, James Jamerson grew up in a musical family and began playing music at a young age. He started out playing the guitar but eventually switched to bass, which became his signature instrument. After serving in the US Army, Jamerson moved to Detroit, where he began playing music professionally, performing with local R&B and soul bands.