For those seeking to encounter her work firsthand (beyond Google Images), several permanent collections hold her pieces:
International Reception and Cross‑Cultural Dialogues chitose hara
What is : Between 1954 and 1968, she worked on 22 films. After 1968, zero. For those seeking to encounter her work firsthand
Hara’s response is characteristically blunt: "Accessibility is a distribution problem, not a design problem. A symphony is not bad because not everyone can play the violin. My job is to make the best violin." chitose hara