He famously never used reference photos during live drawing. He didn't use rulers, pencils for rough sketches, or an eraser. He started directly with a brush pen on paper, populating a blank page with hundreds of characters, buildings, and machinery all in perfect perspective. He claimed he "activated his muscles" like an athlete, drawing from a mental library he built by observing life relentlessly.
Reviews from students on platforms like Coloso and community forums typically highlight the following: kim jung gi coloso
Kim Jung Gi's art has had a significant impact on the contemporary art world, inspiring a new generation of artists and drawing enthusiasts. His work has been exhibited globally, with shows in Korea, Japan, the United States, and Europe, and he has received numerous awards and accolades for his contributions to the field. He famously never used reference photos during live drawing
The Colossus has the face of a wise elder, with eyes that seem to hold a thousand stories. Its hair is a wild tangle of threads, each one representing a memory that has been woven into the fabric of the person's mind. The threads are colored with hues of nostalgia, regret, and joy. He claimed he "activated his muscles" like an
Kim starts with the skeleton of drawing—one-point, two-point, and three-point perspective. He then moves into overlapping organic shapes, showing how to create depth without relying on vanishing points.
One fateful evening, as Kim Jung Gi wandered through the mystical forest, he stumbled upon a clearing. In the center of the clearing stood the Colossus, its massive form radiating an aura of serenity and wonder. The creature's body was a mesmerizing blend of organic and mechanical components, as if it had been birthed from the very essence of the forest.