Ivy Wolfe Janice Griffith [extra Quality] -

| Theme | Key Works | Relevance | |-------|-----------|-----------| | | – Dworkin, A. (1981). Pornography: Men Possessing Women – MacKinnon, C. (1995). Sexual Harassment of Working Women – McRobbie, A. (2009). The Aftermath of Feminism | Provides foundational debates on whether pornography can be feminist or inherently oppressive. | | Sex‑Positive Feminism | – Rubin, G. (1984). “Thinking Sex” – Attwood, F. (2010). Sexual Ethics and the Media | Highlights frameworks that view adult work as a site of empowerment when performers possess control. | | Digital Labor & Platform Economies | – Scholz, T. (2014). Digital Labor: The Internet as a Playground for Workers – Burgess, J., Green, J. (2018). YouTube: Online Video and Participatory Culture | Explores how digital platforms reshape labor relations, pertinent to performers’ use of subscription sites and social media. | | Performer‑Centric Studies | – Attwood, F. (2016). The Sociology of Pornography – McKee, A. (2020). “Performers as Entrepreneurs” in Journal of Media Business Studies | Focuses on performers’ self‑branding, entrepreneurship, and advocacy. |

Ivy's early start in the industry can be attributed to her natural talent and confidence in front of the camera. Her early experiences in the business helped shape her into the performer she is today, known for her uninhibited and passionate performances. With a wide range of skills and a willingness to experiment, Ivy Wolfe has proven herself to be a versatile and dynamic performer. ivy wolfe janice griffith