While the film initially appears to place Giulia under a conventional male gaze (e.g., the office director’s lingering shots), the narrative later re‑positions the gaze onto Alessandro, who becomes objectified through his art installations. This inversion destabilizes binary gendered spectatorship.
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The story follows (played by Alba Rohrwacher), a woman living a stable, comfortable life in Milan with her kind-hearted partner, Alessio . Though their relationship is secure, it lacks passion, and Anna feels pressured by the expectation to start a family. Her life takes a sharp turn when she meets Domenico (Pierfrancesco Favino), a married father of two who works for a catering company. While the film initially appears to place Giulia