The clock on the wall struck midnight, its rhythmic ticking the only sound in the studio besides the hum of the workstation. Leo sat slumped in his chair, staring at a blank After Effects composition. He had six hours until the final delivery for "Global Tech Summit," and the client had just requested a complete overhaul of the opening title sequence. They wanted "dynamic, high-energy kinetic typography"—something Leo usually spent days hand-keyframing.
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