Coppola fought the studio tooth and nail to cast the short, unknown Al Pacino. In the casting session, he didn't see a leading man; he saw the eyes of a trapped man. It remains the "Top" casting decision in cinema history.
Do not cast "quippy" actors. Coppola’s dialogue is not Joss Whedon banter. Avoid actors who rely on ironic detachment (looking at you, Ryan Reynolds). Also, avoid actors who cannot cry without snot. Coppola’s world is messy, wet, and hormonal. You need actors willing to bleed. casting 2 con francis ford coppula top
Coppola loves characters who speak in ecstatic, doomed poetry. These are the —people who live by feeling rather than logic. They are often dangerous, occasionally ridiculous, but always magnetic. They require an actor who can handle heightened, almost Shakespearean language without winking at the camera. Coppola fought the studio tooth and nail to