This is what fixing entertainment content looks like. It is not about making "women-centric" films where the woman is a flawless goddess. It is about showing the mess.
“I don’t need to be the hero’s mother. I can be the hero.” — Raveena Tandon (paraphrased from multiple interviews)
: Leading hits like Mohra (1994), Dilwale (1994), and Ziddi (1997) established her as a superstar.
She has openly criticized the Central Board of Film Certification (CBFC) for following "ancient" and "outdated" guidelines. She argues that if a film receives an adult ("A") certificate, it should not face additional cuts, as audiences are mature enough to understand the message without interference.
This is what fixing entertainment content looks like. It is not about making "women-centric" films where the woman is a flawless goddess. It is about showing the mess.
“I don’t need to be the hero’s mother. I can be the hero.” — Raveena Tandon (paraphrased from multiple interviews) raveena tandon xxx fix
: Leading hits like Mohra (1994), Dilwale (1994), and Ziddi (1997) established her as a superstar. This is what fixing entertainment content looks like
She has openly criticized the Central Board of Film Certification (CBFC) for following "ancient" and "outdated" guidelines. She argues that if a film receives an adult ("A") certificate, it should not face additional cuts, as audiences are mature enough to understand the message without interference. it should not face additional cuts