Perhaps the most mature development in recent cinema is the acknowledgment that modern blended families are often not romantic choices, but economic necessities. This is the quiet engine of the Oscar-winning CODA (2021). While the film focuses on Ruby as a Child of Deaf Adults, the “blending” of her two worlds—the fishing boat (family) and the choir room (future)—is a metaphor for the working-class family’s constant state of renegotiation.
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