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This allows writers to introduce external conflict without muddying the romantic waters. In The Last of Us (the TV adaptation), the relationship between Joel and Ellie isn't romantic, but the principle applies to romantic couples in action genres. When a married couple in Mr. & Mrs. Smith (the original film) fights assassins, we don't worry about who they are dating. We worry about the bullet. Exclusivity allows the plot to pivot from internal romantic doubt to external survival.

Consider the angst in Normal People by Sally Rooney. Connell and Marianne are rarely "exclusive" in the traditional label sense for long stretches, but the expectation of emotional exclusivity is always there. The most devastating scenes aren't the breakups; they are the moments one character realizes the other has shared vulnerability with a third party. That specific sting— I thought we had a secret world —only exists within the framework of a presumed exclusive bond. sex2050com exclusive