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Transition to motion: bicycles weaving past a mural where paint has been layered like sediment—bright oranges, a wild cyan, the silhouette of a bird mid-flight. The camera leans in, and the mural breathes back. Passersby become shapes of color: a red scarf, a pair of white sneakers, a bag with a patch shaped like a planet. These are lives recorded in shorthand; small, eloquent details that refuse the urgency of explanation. The pacing is frantic and disorienting, making it