became the first Asian woman to win the Academy Award for Best Actress for Everything Everywhere All At Once
in Marriage Story (2019) gave a monologue about the impossible standards for mothers that felt like a missile fired at the patriarchy. Julianne Moore in May December (2023) refuses to let us look away from the complexity—and the predation—of a woman past 50 who refuses to be defined by her age. These performances don’t ask for our sympathy; they demand our attention.
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